A BLOG ABOUT LOCAL ART........Brownsville Texas FRONT PAGE PHOTO ART -GABRIEL TREVINO - " LA FRONTERA - MR. AMIGO "
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Sunday, May 31, 2009
MUSEO DE ARTE CONTEMPORANEO DE TAMAULIPAS
Le invita cordialmente a la inauguración de las exhibiciones:
PROVOCANDO AL OJO
La aventura del color en el arte del siglo XX
y
Hecho y Des(h)echo
Georgina Valverde
Inauguración:
Viernes 5 de Junio, 2009
20:00 – 22:00 hrs
Vino de honor
Museo de Arte Contemporáneo de Tamaulipas
Av. Constitución y 5ª s/n, Col. Jardín / 868 8131499
Friday, May 29, 2009
Visiting the Carlos G. Gomez Studio....
CONTACT
ggomez5522@aol.com
Thursday, May 28, 2009
Visit Manichaus, Modern Art Space......
1301-B North Main Street
McAllen, Texas 78501
www.manichaus.com
"Exciting things are happening in McAllen with the art community. We've exhibited several artists both seasoned and novice. We are open to feedback, but we respect the feedback we received from artists, patrons and visitors who have seen for themselves what we are doing. We've gotten a lot of support and we're grateful for that." Omar I. Rodriguez
Tuesday, May 26, 2009
NEW TEXAS TALENT - DALLAS, TEXAS
SUBMISSION DEADLINE May 29
http://www.craigheadgreen.com/newtalent_2009.htm
Are you an artist interested in being considered for ourNew Texas Talent show in July and August?
2009 JUROR: Dr. Charissa TerranovaAssistant Professor of Aesthetic Studies at the University of Texas at DallasDirector of Centraltrak: The UT Dallas Artists Residency
Conceived in 1994, New Texas Talent is designed to introduce and promote emerging visual artists in the commercial market. Each year approximately 600 images are submitted for review by a gallery selected juror. The juror then independently selects artists to participate in the New Texas Talent exhibition.
About the Juror: Dr. Charissa N. Terranova is Assistant Professor of Aesthetic Studies at the University of Texas at Dallas and Director of Centraltrak: The UT Dallas Artists Residency. Since arriving in Dallas from Boston in 2004, Dr. Terranova has been deeply engaged in the arts culture and urban history of Dallas-Fort Worth. She has written art criticism for the Dallas Observer, Dallas Morning News, THE Magazine, Art News.
Download the Prospectus here,You will need Adobe Acrobat Reader to access this form.If you do not have it installed, it is available from the link below:
Submit Your Work
We have provided an online submission form for your convenience. You may submit up to 3 images for consideration. Please fill in your name, address, phone and email address (all required). Then use the Browse button to locate your image files, add them to the form, and fill in the full title, size, and medium for each. The image file names MUST include your first and last name.
Acceptable file format for submissions: jpg or jpeg ONLY Your first and last name MUST be part of the file name.(Ex: johnsmith-summer landscape.jpg)
*Name: *Address: *City, State, Zip: *Telephone Number: *Email Address: Image File # 1: Full title of artwork: Size and medium:
Image File # 2: Full title of artwork: Size and medium:
Image File # 3: Full title of artwork: Size and medium: Depending on your connection speed, large files may takeseveral minutes to upload.
Craighead Green Gallery 1011 Dragon Street Dallas, TX 75207 214.855.0779
epost("cg-director1011", "craigheadgreen", "com", "Email")
Hours: Monday 12:00 - 5:00 • Tuesday thru Friday 10:00 - 5:30 • Saturday 11:00 - 5:00
"MEET LUIS JIMENEZ" - YOUTUBE VIDEO
"MEET LUIS JIMENEZ" - YOUTUBE VIDEO
CLICK LINK BELOW
http://www.youtube.com/watch?v=f-7AKv9xqxk
TAOB NOTES : A while back there was talks of putting up the eagle sculpture at Linear Park in Brownsville, Linear Park is also the location of Brownsville Museum of Fine Arts, which is next to the Gladys Porter ZOO. I think it was Carol DeMoss , who was looking for support so that if it was put up, it also got its maintnance. I am not sure where it stands now.. but it would be nice to see that put up somewhere. That airport set up just looked terrible, the work deserved much more than that... ANYONE KNOW WHERE THIS SCULPTURE IS CURRENTLY AT? SEND A PICTURE OF IT TO : brownsvilleartform@yahoo.com
Luis Jiménez Biography
1940 Born in El Paso, Texas
1964 University of Texas, B. S. (Art & Architecture)
1977 American Academy of Arts & Letters, New York City, Hassam Fund, Purchase Award
1979 American Academy in Rome & N.E.A., Mid-career Fellowship Award
1982 "Vaquero," A.E.A. Environmental Improvement Award, Houston, for Moody Park
1985 Awards in the Visual Arts Recipient
1987 Francis J. Greenburger Foundation Award
1988 N.E.A. Award Fellowship Recipient
1989 Skowhegan Sculpture Award
1990 La Napoule Art Foundation Residency Fellowship, La Napoule, France
2006 Died in Hondo, New Mexico
Monday, May 25, 2009
The Artwork of Gabriel Trevino
Sunday, May 24, 2009
POST A COMMENT....Reviewing the work of Brian Wedgworth
ALERT...READERS - ANONYMOUS
EFFICTIVE IMMEDIATELY.. UNTIL FURTHER NOTICE...
PLEASE OPEN A GOOGLE ACCOUNT, "such as an email account -for free" TO POST COMMENTS, HERE ON THE ART OF BROWNSVILLE..
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Friday, May 22, 2009
VOICES OF ART MAGAZINE - OUT NOW
David Freeman: Unstoppable Imagination of Information for ChangeJuly 18 - September 5, 2009
VOA - VOICES OF ART MAGAZINE
VOLUME - 16 ISSUE 1-2009 "IS OUT" ON DISTRIBUTION
Features upcoming note on back cover Benjamin Dominguez upcoming show at the BMFA :Brownsville Museum of Fine Art- noted Consolado de Mexico and Brownsville , Brownsville "On the border by the Sea "
NOTED GRAPHIC DESIGNER - JESUS DE LA ROSA, ALSO CONTRIBUTING WRITER..
VOA-VOLUMES 16 COVERS SEVERAL ARTISTS :ARIELLE MASSON, JAVIER DRAGUSTINOVIS AND MANY MORE...
VOA: Features the work GEORGE LORIO exhibition at BROWNSVILLE MUSEUM OF FINE ARTS..by E. SANCHEZ
VOA : Features article by DAVID FREEMAN -the work of "PUENTE" who recently exhibited her first one woman show at GALERIA 409 -owner Mark Clark who is also a BOARD MEMBER at the Brownsville Museum of Fine Arts..
VOA also Features article by DAVID FREEMAN of Cande Aguilar recent show at IMAS
"WORLD AFFAIR" , Cande - abstract expressionist- who also exhibited at the Brownsville Museum of Fine Arts "Vivo Mas", .
VOA is a full color glossy paper 50 page magazine that features the work of several artists..
VISIT: VOAMAG.COM
Vertices - Pictures of the Exhibition
The opening for "Vertices" was last thursday May 14 in Nuevo Laredo, Tamps. The exhibit consisted of painting, installation, video, and found object in an attempt to show a more contemporary interpretation of our ideas that dealt with everyday life themes. The show will stay for two months and will more than likely travel somewhere else if other venues are contacted.
Vértices alude a las convergencias entre tres artistas de la frontera tamaulipeca, pero a la vez a sus propias apreciaciones (a su propio vértice) respecto a la contemporaneidad del arte. Estos artistas desarrollan sin embargo una particularidad en general y por ser un trabajo que aborda un tema universal, los artistas Javier Dragustinovis, Juan Francisco González “Jufrago” y Mauricio Sáenz distribuyen con singular soltura un discurso identificable para cualquiera siendo este el de la identidad y el entorno.
These are the artist's statements:
Javier Dragustinovis (Cd. Victoria, 1969) ha desarrollado una obra que se nutre de las fronteras físicas e imaginarias, el sentido múltiple y particular de la realidad, así como el dialogo con su entorno (la frontera entre los Estados Unidos y México).
Juan Francisco González Rosales “Jufrago” (Matamoros, 1974) ha tratado sobre diversos temas muy relacionados a la universalidad y al entorno que lo rodea. Su trabajo ha tenido un sin números de cambios, tanto en técnicas como en formatos.
Wednesday, May 20, 2009
"Tres" Pintores Reception and VIDEO LINK
THE HISTORIC BROWNSVILLE MUSEUM IS LOCATED ON THE CORNER OF 6TH AND E MADISON. Call 548-1313 for more info.
Video courtesy of Cliff Welty, great job on the video compilation, many thanks.
Tuesday, May 19, 2009
Death's Bloom by Carlos G. Gomez
Wedgworth "AROUND AND BACK"
'Around and Back', an exhibition of new welded iron sculpture by
Brian Wedgworth opens with a reception for the artist at 6 p.m. on
Thursday, 07 May at Galerîa 409. The event is free to the public.
Gallery hours are Wednesday thru Saturday, from noon until 5 p.m. or by appointment.
For information: 956 455 3599
The exhibition ends 30 May.
Brian Wedgworth
VIDEO ON YOUTUBE -
COURESY OF CLIFF WELTY
click here
http://www.youtube.com/watch?v=x_izB_1m7uY
click link
PRESS RELEASE BELOW SENT BY BRIAN WEDGWORTH
Brian Wedgworth Galeria 409May 6, 2009 - 9:07 PMBy BRUCE LEE SMITH/Special to the StarBrian Wedgworth compares his artistic process to a dance.He moves about his studio in downtown Harlingen working on as many as 15 pieces at a time. Whenever he gets to a stopping point or a need to pause on a particular work, he moves on rather than get bogged down."It's a delicate dance," Wedgworth said. "They kind of simultaneously come together ... I already have the ideas in mind but the work just flows better."The latest one-man show for the 34-year-old artist, Around & Back Again, opens with a reception from 6 to 9 p.m. today at Galeria 409 in Brownsville."My show is called Around & Back Again because I'm revisiting old ideas, things that have been around the shop for a while, that got pushed aside," he said. "I'm bringing them back to the forefront."The concepts for the sculptures may have been sketched out and in some cases parts have already been cut out. But Wedgworth has completed them all recently."It's been fun getting back in the studio ... exploring new directions as well," he said. "I've been working on pieces from tabletop size to monumental."" Wedgworth's "Ascension," recently installed in the McAllen Arts District, is 17-feet tall and sits on a 4-foot base. It took a crane and a crew for the artist to put it in place."I've always tinkered with stuff since I was a kid," he said. "I was always taking things apart and putting them back together."His father is a welder in the oilfields and Wedgworth learned the skill early. But it was always separate from his art. "In high school I was always drawing. And then when I got to college, I was wandering through the (University of Texas-Pan American) art department. I knew how to weld and I knew how to draw. I never thought to put the two together until I found the art department and started making sculpture."Wedgworth began his art career in 1993 and went full-time as an artist in 2000. He and his wife Aleida opened their studio in 2004. Aleida Garcia Wedgworth is a jewelry artist.Wedgworth has worked with all sorts of artistic media from clay to wood, but stuck on steel."I like the permanence of it," he said. "Clay breaks and wood burns. Steel doesn't.
JESUS DE LA ROSA - STUDIO AND ART
Studio open by appointment visit http://jesusdelarosa.net/home.html for more info.
http://www.themonitor.com/entertainment/utopia-26528-surface-painter.html
http://austinist.com/2009/05/15/snapshots_arthouse_5x7_art_splurge.php
Monday, May 18, 2009
Cande Aguilar - "here is another piece......"
CLIFF WELTY - ARTIGUANA VIDEOS
The Art of Bret Lefler
BROWNSVILLE HERALD ARTICLE :BY TRAVIS WHITEHEAD
http://www.brownsvilleherald.com/news/painting-98128-paintings-lefler.html
HOURS: Tuesdays, Thursdays and Fridays: 10 a.m. - 4 p.m.
ADMISSION: $5 adults$3 children age 6-12$3 seniors age 65 and up.
Admission is free on Wednesdays from 5-8 p.m.
FOR MORE INFORMATION: 956-542-0941
Saturday, May 16, 2009
"Tres" Pinturas
My art work is direct and uncomplicated. I do not spend much time thinking about interpretations, hidden meanings; like subliminal messages or high flow artistic philosophies. I paint ideas, emotions, feelings and try to present it in a generic or global context mind with craftsmanship and drama in an interesting and perhaps unusual ways.
Before painting, I draw a sketch very carefully of my artwork; planning the colors, values, and sequencing of the entire composition. No matter how complex my subject is the goal, accidents are rarely welcome, and mistakes are often irreparable. My paintings take various lengths of time to complete, but I can generally produce two per month. The completion time is a function of the works complexity. Most of my artwork contains a bit of the dramatic, which heightens the impact of the composition. As a painter I supply the mood and the viewer is invited to provide the subtext.
Finally, I believe what ultimately makes a successful painting is the painter’s ability to import his/her ideas, emotions and feelings into the artwork and to convey something to the viewer.
ARTIST STATEMENT
“In simple my paintings can be described as a reflection of my mind an interpretation of what and how I see and think things-sometimes metaphysical, whether it is nude holding up the sun or the moon, a shadow that resembles a hand, a face of someone I know, a red bird with no eyes, a feeling when I think of death, a thought about faith, an idea that nothing exists and or a dream I was a gorilla.”
It’s hard to describe all my techniques, sometimes when I paint I just seem to know what I am doing, I don’t question my actions. If I do something I am not comfortable with I feel I can always correct it or make it work for the painting. I like to work fast, so I can keep up with my thoughts, perhaps is why I like to work with acrylic the most, it dries faster and there is no waiting period. I like to consider some of my work to be freehand in a sense I am not painting from a graphed picture, but use my body instead on the larger works to estimate dimensions. As for the use of color in my work, after ten years of painting blending color is just a natural act, I have no use for the color wheel.
I think my painting technique and style will continue to evolve, perhaps until the day of my death. Only tomorrow will tell what my next painting will look like, for me that’s what makes my work interesting, my life long commitment.
Congratulations on the exhibit "Tres Pintores" and to any of the artists in the valley who spend their time wisely putting up exhibitions that showcase their ideas visually along with the passion they have for art in a serious way, whether you like their work or not. However, I would have liked seeing more new work from all of them and probably would have left more space in between the work to let it breathe and give it a bigger frame to allow the viewer to focus on each piece individually. Having the space filled with a lot of work doesn't necessarily mean that the show is going to be better. Moving to the actual pieces, I prefer Gomez' works that are not saturated with color and that isolate the figures, call it chupacabras, horses, monkeys, etc. against a less distracting background allowing me to read its statement in a more fluid way. People might like him or not but what's a fact is that he has had a well-defined style that allows you to recognize his work without knowing that it's his, and that's what sets artists apart from those who try but never see the light at the end of the tunnel. He has been perseverant, hard-working, thoughtful about the things he does and says, and on top of all true to his ideals and his style. He has also mentored and supported people who are now artists and that have seen him as a role model, Jesus de la Rosa, Gabriel Palomino, Alma Rocha, Gabriel Treviño, Patty Barrera, Helen Craules, and myself, to name a few. Most of these have pursued master degrees and are emerging artists in the process of getting their work out there and have that exposure an artist strives for. However, he has not received the acknowledgement he deserves in his hometown. A well-curated retrospective at the BMFA is something that should have been done a long time ago, even before Cande's, Lorio's, Leftler's, even Ray Smith's (does he really care about valley?). This is not to diminish the artists mentioned before in any way, but to give the importance to people who have contributed immensely to the development of art in the community and the artists who are emerging. Honor a quien honor merece, nada más. I personally like Gabriel Treviño's work for being honest, visceral, and straight-forward, and especially the ones where I see Basquiat's influence in. I don't know if he knows this, but the potential he has is as big as his desire, willingness, and effort he shows in doing all the things he does for art to be something more than just a topic to talk about. I would only like to see a more consistent style and subject matter, something that would define him as an artist. The idea of having this as an on-going project to grow in the future as a "4", "5", and so on is great, yet it would need to be developed into a more contemporary, better-planned exhibition demonstrating that Brownsville artists are prepared to come up with an exhibit as a whole (not only talking about the work itself, but a clever set up, a well-designed promotion, a better space) up to the level of what is been shown in contemporary spaces in cities such as Corpus Christi, Austin, or San Antonio. But again, artists should be supported by organizations or private sponsors that would be willing to do the administrative part and let the artists focus on their work. Again, congratulations to Gómez, Treviño, and Antinori for your commitment and desire to let your ideas be known through a means no other will be capable to surpass in a more succesful and revealing way than art.
Thursday, May 14, 2009
CANDE AGUILAR 2009 STUDIO
Wednesday, May 13, 2009
BMFA NEW WEBSITE...
VISIT:
http://www.brownsvillemfa.org/
Speaking of Art
Check out: "Speaking of Art," a three-minute radio broadcast airing on the local National Public Radio affiliate station KMBH with Barry Horn, in conversation with artists and community members on upcoming exhibits and events.
"Speaking of Art" airs every Monday, Wednesday and Friday at 8 a.m. and 6 p.m. on 88.9 FM and 88.1 FM.
SEND A PICTURE OF YOUR STUDIO
Tuesday, May 12, 2009
Bret Lefler at BMFA Opens May 13, 2009
Artist Bret Lefler believes that being an outsider can have its advantages when it comes to appreciating the cultural landscape of the Rio Grande Valley.“I’ve lived in a lot of different places, and this area is unlike anywhere I’ve ever been,” Lefler said. “People who’ve lived here all their lives probably take for granted what a treasure trove this is.” His exhibition Settings, Signs and Objects, at the Brownsville Museum of Fine Art from May 13 to July 11, is an exploration of Valley landscape through Lefler’s abstract and representational approach.
Lefler’s exhibition will feature not only painted canvases but digital photographs, collages, and sculptures made from found metal objects. He says that while viewers will find many recognizable landmarks in his work, other works are more abstract in approach.For admission prices and times, please visit the museum’s new website, brownsvillemfa.org, or call (956) 542-0941.
OPENS MAY 13, 2009
BROWNSVILLE MUSEUM OF FINE ARTS
Sunday, May 10, 2009
Siqueiros at Ricardos International Cuisine
Saturday, May 09, 2009
Wednesday, May 06, 2009
EXHIBIT IN NUEVO LAREDO : VERTICES
Sunday, May 03, 2009
Antonio Antinori's Futurist work is stranger than fiction.
Statement by Antonio Antinori
"My art work is direct and uncomplicated. I do not spend much time thinking about interpretations, hidden meanings; like subliminal messages or high flow artistic philosophies. I paint ideas, emotions, feelings and try to present it in a generic or global context mind with craftsmanship and drama in an interesting and perhaps unusual ways.
Before painting, I draw a sketch very carefully of my artwork; planning the colors, values, and sequencing of the entire composition. No matter how complex my subject is the goal, accidents are rarely welcome, and mistakes are often irreparable. My paintings take various lengths of time to complete, but I can generally produce two per month. The completion time is a function of the works complexity. Most of my artwork contains a bit of the dramatic, which heightens the impact of the composition. As a painter I supply the mood and the viewer is invited to provide the subtext.
Finally, I believe what ultimately makes a successful painting is the painter’s ability to import his/her ideas, emotions and feelings into the artwork and to convey something to the viewer." Antonio Antinori
TAOB NOTES: FUTURISM ITALIAN MOVEMENT LAUNCHED IN 1909, REGIONALY SPEAKING ONE OF THE MOST RAREST STYLES YOU CAN THINK OF IN PAINTING. A STYLE ANTINORI HAS BEEN IN PRACTICE WITH FOR OVER 10 YEARS..
Friday, May 01, 2009
Whats going on, BMFA website lacks updates ?
I would also like to see something on the permanent collection.. "
WHAT WOULD YOU LIKE TO SEE ON THE BMFA WEBSITE ?
BROWNSVILLE MUSEUM OF FINE ARTS
660 E. Ringgold St.Brownsville, TX 78520956.542.0941
Staff E-mail DirectoryExecutive Director - Barry HornAdministrative Director - Tencha Slosssloss@brownsvillemfa.orgCurator - Jennifer Cahnjcahn@brownsvillemfa.orgEducation Coordinator- Juliana Garciajmunoz@brownsvillemfa.orgAccountant - Deyanira Ramirezdramirez@brownsvillemfa.orgTours & Education - Renata Laralara@brownsvillemfa.orgStore - Deyanira Ramirezdramirez@brownsvillemfa.org Membership - Marilyn Brownmembership@brownsvillemfa.org
Board of Directors
OFFICERS
Eddie Knebel, President
Bertha Garza, First Vice President
Moises Gomez, CPA,
Second Vice President
Hans vanDoesburg, Treasurer
Eugene Allen,Recording Secretary
George Farish,Immediate Past President
DIRECTORS
Joe Atkinson
Cecilia Barnard
Marsha Betancourt
Rusty Brechot
Dr. Uvaldo Cantu
Paquita Chavez
Mark Clark
Morris Edelstein
Dr. Diamond Freeberg
Nellie Garcia
Dr. Elena Marin
Rafael Vela
Charles Willette Jr.
ADVISORY BOARD MEMBERS
Susana Reynoso
Mary A. Yturria
Art by Rosendo Sandoval - Title:"La que bailo con el diablo " contact: galloblanco03@yahoo.com
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